Poland is lionize the 400th anniversary of the pass completion of the reconstructive memory of the Royal Castle in Warsaw which was initiated by Sigismund III Vasa . The new royal residence became the focal point of the political , cultural and court biography of Poland in that prison term . 2019 was named Vasa Year to celebrate the accomplishment of Vasa dynasty and present episodic exhibitions and aesthetic events bestow nigher the history of the Castle and this era .
The exhibition ' To rule and to bedazzle ' jewels and Jewellery in the sixteenth and 17th c. Poland ” presented over 500 priceless exhibits . Among them were ornaments of the house painting of Virgin Mary of Czestochowa , a gold monstrance made of diamonds in 1672 , purple jewellery and numerous other valuables . These items inspired Zygmunt Sieradzan , victor florist , to create an collection of floral jewelry .
The Avalanche+ rosebush eclipse in all his nontextual matter man . The rose motive has inspired creative person for centuries , enchanted the jeweller and priceless gem still daze in various flowered forms . The rose has become an undeniable picture of beauty and dignity .
The second temporary exhibition ' Kings of Poland image of rulers on medals and coin ' presented images of Polish ruler on numismatics and medals since the beginnings of the Polish res publica . The pridefulness of the invaluable collection was the forty - ducat with the ikon of Sigismund III Vasa – an icon of Polish numismatics create by Samuel Ammon . This coin invigorate the creation of a large - format effigy of the King , composed of the Avalanche+ roses , which marked the opening of the exhibition . The arrangement was made by master florist , Piotr Marzec .
The last and biggest exhibition , titled ' The world of the Polish Vasas . Space – masses – Art ' , open until January 14th 2020 , is the dramatic finale of all Vasa Year exhibitions , showcasing nearly 300 exhibits borrowed from 77 institutions . The Vasa era is called the ‘ silver medal age ’ or the age of the silver-tongued Sheaf , albeit a thickly begild one . This is , of course , a computer address to the Vasa family summit , depicting a golden bundle of caryopsis . A large formatting interpreting of this crest made of rose had decorated the inaugural of that amazing exhibition . The special floristic installation was made of 1 500 Avalanche+ rose wine , by Małgorzata Niska and students of her schoolhouse .
The flush motif incessantly delights artists and afford us unforgettable animal and aesthetic impressions . The jewels and flowered decoration are not only a advanced decoration , but also a metaphor of the most splendid historic works of art and the artistic inspiration of florists .
photograph by Olga Borowska .
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